COLLECTIVE 2026SS - THREE DRESSES COLLECT
01 - 02. Roof Knit Wear
03. Que Maxi Dress with 2026 SHASHA Dress
04. Que Maxi Dress with
05. 2026 SHASHA Dress
우리는 세 가지 드레스를 만들었다.
서로 다른 형태와 질감, 각기 다른 방식으로 완성된 세 가지의 드레스. 이번 컬렉션은 우리가 오랫동안 좋아해 온 조금은 엉성하고, 어딘가 균형이 어긋난 형태들에서 시작되었다. 완벽하게 다듬어진 실루엣보다는 조금은 느슨하고, 예상하지 못한 방향으로 흘러가는 형태에 더 오래 시선이 머물렀다.
익숙한 옷의 형태를 빌려오되, 그것을 그대로 재현하는 대신 조금씩 비틀고 덜어내며 우리가 좋아하는 모양을 찾아갔다. 자연스럽게 흘러내리는 선과 의도적으로 남겨둔 여백, 몸 위에서 비로소 완성되는 불완전한 균형. 그 안에서 각자의 개성을 가진 세 가지 드레스가 만들어졌다.
우리가 생각하는 좋은 옷은 특별한 순간을 위해서만 존재하지 않는다. 자주 손이 가고, 오래 곁에 두게 되며, 시간이 지나도 여전히 입고 싶은 옷. 그러면서도 어디선가 한 번쯤 다시 들여다보게 되는 작은 특징을 가진 옷이기를 바란다. 유행이나 특정한 장면에 머무르기보다 입는 사람의 생활 안에서 각자의 방식으로 자리 잡는 것.
이번 컬렉션은 그런 옷들을 모으는 일에 가깝다. 조금은 엉성하고, 어딘가 이상하지만 그래서 더 마음이 가는 형태들. 익숙한 모던함의 뒷면에 숨겨진 낯선 아름다움과 완벽하게 정리되지 않은 실루엣을 좋아하는 마음을 세 가지 드레스에 담았다.
Each with a different shape, texture, and approach to construction. This collection began with forms we have long been drawn to — slightly awkward, somewhat unbalanced, and imperfect in their own way. We found ourselves looking longer at silhouettes that felt loose and unexpected, rather than those that were carefully refined or perfectly composed.
We borrowed from familiar forms of clothing, but instead of recreating them as they were, we gradually twisted and stripped them back, searching for shapes that felt distinctly our own. Lines that fall naturally, spaces left intentionally unfinished, and an imperfect balance that only comes to life on the body. Through this process, three dresses, each with its own character, took shape.
We believe good clothing does not exist solely for special occasions. It should be something you reach for often, keep close for a long time, and still want to wear years later. At the same time, it should hold a small detail that makes you pause and look again. Rather than belonging to a particular trend or moment, we want our clothes to find their own place in the everyday lives of those who wear them.
This collection is, in a way, a gathering of such pieces. Forms that are a little awkward, a little unusual, and all the more appealing because of it. We brought together three dresses that reflect our affection for unfamiliar beauty hidden behind familiar modernity, and for silhouettes that resist the idea of being perfectly resolved.
COLLECTIVE 2025SS
A Candlestick-Bearing Guard.
We found inspiration at the intersection of the candlestick—an artifact of the past—and the guard—a figure of the present. t has been five years since we began crafting the garments of eont's, and at this point, we ask ourselves: what do we reflect upon? The reckless ambition and provocation that once captivated us have, in hindsight, shaped who we are today. For this 2025 Spring/Summer season, we focus on those faint yet undeniable threads of connection.We are committed to renewal. eont's SHASHA of 2022 and SHASHA of 2025 evoke the feeling of sisters, like the 2022 STTS pleated skirt and the now more intricate 2025 Offbeat pleated skirt. And from Art Nouveau to Art Deco, eont's today flows and evolves along the currents of taste. Along this continuum of time, we ask ourselves: what do we reflect upon? And are we, in some ways, alike
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wearing
01. art nouveau dress gray ver/ sample for 25HS
02. eont's denim frill blouse / eont's 2025ss denim pants
03. hand crease apron in black / 2025 Offbeat pleats skirt in mint/ 2025 basic sleeveless
04. hand crease apron in ivory/ 2025 SHASHA in beige
05. featuring the hand-creased apron and its traces
06. paper vintage coat / hand creased apron ivory ver
07. Candlestick-Bearing Guard
08. Capri jacket / Capri mini skirt in navy
09. Capri set- with colorful legs in pink and SHASHA bottom only
10. Nouveau & Deco
11. 2025SHASHA & 2022 SHASHA
12. final shoot
COLLECTIVE 2024FW-01
Consideration of the opposite phenomenon of self disconnection. This lookbook is developed by inspiration from a strange situation which became an error by overload. At this time, the state of error is presented by a mosaic art. The concept of the ‘eont’s 2024FW-01’ is a classic. Stuffed animals, familiar spaces, and one’s own hideout make self-disconnection comfortable, and our classic pieces also reflect these spaces. An old trench coat that looks worn-out and a tulle petticoat in my wardrobe seems like inherited from my grandmother. The rough development, which reminds us of a single hand-sewn yarn, helps us understand what 'eont’s' is. With wacky and bold shape, a witty weird detail regarding it’s so nothing and casual. In other words, it's more cillelle-pallelle than neat. Some attachment thing that has been transformed along with your special memories. That's what we based. A big daddy shirt, but with a form that has already changed and a worn-out off-white striped fabric. A classic fitted shirt in light pink and gray inspired by origami. A tailored half pants seems like an old friend who gives everything, and a blouson with lining! Wish you love all those things getting old and existing with us.
자의적 단절의 반대현상에 고찰. 과부하로 인해 오류상태가 되어버린 의아한 상황에 영감받아 이번 룩북을 전개합니다. 이때 오류의 상태를 모자이크 아트에 곁들였습니다. 에옹쓰 2024FW-01 콘셉트는 클래식. 애착인형, 애착공간, 나만의 아지트는 곧 자의적 단절을 편안하게 추구하는 것을 의미하며 우리의 클래식은 그렇게 익어진 공간을 연상케 합니다. 이미 낡은 듯한 올드 트렌치 코트와 할머니 시절부터 물려받은 것 같은 내 옷장 속 페티코트 튤 스커트. 마치 한 가닥의 실을 걸어놓은 듯 손바느질을 연상시키는 무심한 전개는 ‘에옹쓰’가 무엇인지 느끼게 합니다. 우악스러운 대담한 쉐입과 무심하게 던져놓은 위트 디테일. 다시말해 올곧음보다는 칠렐레 팔렐레. 당신만의 특별한 추억으로 함께 변질되어버린 애착관계의 무언가. 바로 그것에 기초했습니다. 큼지막한 대디셔츠를 디자인했지만 이미 퀴퀴하게 변한 오프화이트의 스트라이프 원단. 종이접기를 녹여낸 연핑크와 그레이 클래식 정핏 셔츠. 모든것을 내어주는 오랜 벗 같은 테일러 7부 팬츠와 안감으로 만들어진 블루종까지! 실체하고, 함께 낡아가는 것을 사랑하길 바라며,